Silence is all ,the stone phallus in the hills
Snug in the cave ,a light from earth lamp
A blue and dusted god with river in hair
And a moon no longer super, far from us.
Words are his dreams, god in snow hills,
A god submerged in the river of his wife.
He interrupted us ,smiling,
In our endless daydreams,
An earth would come alive
Where stone feet touched .
Thick conical stone leaves
Intertwined with his torso
Hid a splendid nakedness
From that sleeping world.
We felt small, in our flesh,
When an earth came alive.
( The statue of Gomateswara , a Jain saint stands tall at Shravanabelagola in Karnataka- the world’s biggest monolithic statue constructed in the 10th century )
Yesterday’s Golconda was the rhizome
That would make it a new green verse,
From a poem lost in transient memory.
The shepherd’s mountain hosted ghosts
Over matchstick sounds across bushes.
Today it is back again dreaming out of.
We better exorcise female ghosts from it.
They are a flesh turned stone with men.
Their sleeping tombs are cold with past.
Bodies were covered in a male darkness
And their stomachs homes to male egos.
Now they are in the same stone as men.
Let us make bricks to our understanding
From the foot slush of a twelve year old
In Peru or Orissa, not one with the i-pad.
Bricks are so much like the sleek i-pads
Gleaming in yellow bus, in school bags
On backs weighed down by knowledge.
The brick slush feels soft on child’s feet
Ankle -deep in the earth mother’s love.
Let us make bricks to an understanding.
(about the child laborers employed in brick kilns of India and Peru)
From train window one saw audio tape
With songs ripped from broken player
Unheard by any one’s new ears for CD’s.
The train would go on like running tape
That lay curled in a passing paddy field
With bird up and down on phone wires.
Some time, a mild journey had to stop.
Songs would stop to play , birds freeze.
Drizzles would pour like bodies of flies.
Flowers are not art but science of beauty
Where they sit softly on a walled picture.
Here they are not taken apart but add up
To a canvas of beauty in all its fragrance
And camphor flame is raising its dancing
Hands on the glass covering gods frames.
And taken apart they are flung at pictures.
Their beauty adds up to the wall’s picture.
The gods stand in peace, in bow and arrow
Their necks heavy with old painted flowers
That will never wilt nor smell less in beauty.
Flung flowers will make up our mountains
Rising in glass casket, like far off snow hill
Where a three-eyed Shiva softly meditates.
The temple is beauty cast in flowers and dust
A concentrated thought by a chisel in a spike
And a still beauty being explored by creatures
Existing for their death’s immortality benefits
Where they lie in niches they project horror,
Darkness of soul in bodies thought and lost.
A man- lion -God lies concentrated in stone
A horror of stomach pierced by denied God
In stone pillar of chi|d’s love remonstrating
A father’s egotistical demon ripe for a death
A picture of God’s anger, a child’s God love
A stony concentration, exquisite stone child.
A music of times is concentrated in temple
As ether of a sky lost to a myth and history,
The wind still blows in music of transience.
Death is not here nor there but in doorway.
(a visit to the Ahobilam temple of Lord Narasimha, the man-lion God who slew Hiranyakasipu the demon who refused to accept Vishnu as God)