From train window one saw audio tape
With songs ripped from broken player
Unheard by any one’s new ears for CD’s.
The train would go on like running tape
That lay curled in a passing paddy field
With bird up and down on phone wires.
Some time, a mild journey had to stop.
Songs would stop to play , birds freeze.
Drizzles would pour like bodies of flies.
Flowers are not art but science of beauty
Where they sit softly on a walled picture.
Here they are not taken apart but add up
To a canvas of beauty in all its fragrance
And camphor flame is raising its dancing
Hands on the glass covering gods frames.
And taken apart they are flung at pictures.
Their beauty adds up to the wall’s picture.
The gods stand in peace, in bow and arrow
Their necks heavy with old painted flowers
That will never wilt nor smell less in beauty.
Flung flowers will make up our mountains
Rising in glass casket, like far off snow hill
Where a three-eyed Shiva softly meditates.
The temple is beauty cast in flowers and dust
A concentrated thought by a chisel in a spike
And a still beauty being explored by creatures
Existing for their death’s immortality benefits
Where they lie in niches they project horror,
Darkness of soul in bodies thought and lost.
A man- lion -God lies concentrated in stone
A horror of stomach pierced by denied God
In stone pillar of chi|d’s love remonstrating
A father’s egotistical demon ripe for a death
A picture of God’s anger, a child’s God love
A stony concentration, exquisite stone child.
A music of times is concentrated in temple
As ether of a sky lost to a myth and history,
The wind still blows in music of transience.
Death is not here nor there but in doorway.
(a visit to the Ahobilam temple of Lord Narasimha, the man-lion God who slew Hiranyakasipu the demon who refused to accept Vishnu as God)
As the sun climbed the temple banyan
The tortoise carried the world on back
As in apocalypse times, a flood coming
And a kind earth quaking with disaster.
We offer our eyes closed and in prayer
Our palms joined in a tortoise gesture.
We then go forward to the sun in silver.
We offer prayers to the sun in whiskers
Lighting our eyes with camphor flames.
Our silver eyes are for his safe keeping.
( Visit to the temples of the tortoise God (Kurmavatara) in Srikurmam and the sun god at Arasavilli)
On your brow his stylus inscribes fate.
But a three-headed bearded God can
Rarely come back with after thoughts.
An educated wife keeps him occupied
Supposing she would prevail on him
To change the writing on your plate
Give him a blue pencil and editorial
Freedom,to change his own writing,
Can he make you unborn by a pencil
A blue pencil making you unhappen?
There is the broken moon on the housetop there
Cold and soggy, snuggling to the breezy coconut.
The elephant god is not looking for it for laughter
After a heavy meal of sweets in his child-stomach.
Our dear elephant-god lies in now broken himself
At the bottom of the lake, snuggling to the algae.
Time for a many-armed mother, who shall bestow
Our victory for this season, wealth for our devout.
The mother maternal, eyes wet with love for sons
And terror in tongue, trounces demons under foot.
After the victory she too will go down to the lake
To a drum beating of music and camphor flames.
Our gods are like us, of soft clay and kitsch colors.
They disappear from life after the season is over.
It is a sound that comes through child
A child of the earth and a climbed wall,
A tree with leaves plucked into pockets
For worship of a stone god in vermilion
And yellow softness of beginning god,
A god nestled in a heap of yellow rice.
It is the women in rustling silks of air,
A fragrance of leaf, flowers and flame.
It is a flame that dies in floral fragrance
But re-lives to verify a continued living.